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  • …  a typical Monday: getting blasted & getting enchanted!

    … a typical Monday: getting blasted & getting enchanted!

    Back to the Hafenklang, where much to my surprise Kate Clover was due to play the smaller upstairs rather than a fully packed downstairs. From where i sit she should already have made it so much bigger, on the other hand maybe she thrives going through the ropes ctd.

    She got nicely paired with Küken, who just played 2 days prior with The Law and another band outside Hamburg in Elmshorn, a slot i unfortunately had to miss.

    Küken had to kick off early, as the whole thingy was supposed to by over by 21:30 sharp. They took a bit of grace time but then in their typical nonchalant & unpretentious manner they took the stage, smiled at each other and …

    … pushed the audience with their unique wall of sound.

    I honestly can not think of any other band around that offers the same. Period.

    For a surprise first time attendee of a Küken show they might sound all the same but if you give it a careful listen, if you see the subtle hooks, riffs and breaks within, then you realize what a perfect niche they have created.

    And how they nurture and grow it.

    Küken (Hafenklang, Hamburg, 05.10.2026)
    (c) gehkacken.de 2026

    Those accustomed to Küken largely smiled away and slightly moved their upper bodies, those new to the proceedings stood in awe. Among them Kate and her band, i would wildly guess they have not had heard anything like that prior.

    15 songs, spanning across all their output. I guess i am damn lucky to be in Hamburg, where i can see them as often as possible.

    Küken – Setlist (Hafenklang, Hamburg, 05.10.2026 (c) gehkacken.de)

    In sum simply a near perfect show, a mate noted “best ever show i saw of them” and i got to admit that i had the same feeling. They are more then ready for their upcoming two weeks tour, if you have a chance to see them – go!

    And whilst at it, buy their 2026 EP. It is out now for some time and in my household was/is on heavy rotation.

    I am yet to see another band that condenses a full concept album into an EP of give-and-take 6 minutes. Best Sicilian holiday for the least amount of effort and cost!

    Go – see them live!

    Next Kate Clover and her band, dressed for the occasion.

    All though it is a repeat i have to say that i fall for every band that chooses to wear stage uniform, chooses to dress in a selective way. So here is Kate in a shiny glittery red dress with black lighting and her band in black tuxedos, red shirts, black skinny ties, red socks and shiny black shoes.

    And a red neon “Kate Clover” sign on the bass drum.

    Dressed to deliver a show. And convincing me to a large extend already prior to the first chord.

    Kate Clover (Hafenklang, Hamburg, 05.10.2026)
    (c) gehkacken.de 2026

    Once that first chord came that feeling of “it’ll be good” turned into “it is great!“. Sure the show largely centers around Kate (sans center lights) but that is how she choose to bring her music to world: By her own. That why it is called “Kate Clover” on the ticket.

    They blasted through the set that somewhat was cut back by Kate by 3 songs, damn! Wild guess: As a professional musician she simply choose to match the 15 songs of Küken to make it a round evening for the audience…

    Kate Clover – Setlist (Hafenklang, Hamburg, 05.10.2026 (c) gehkacken.de)

    Still, it was great Power Pop set, with a speedy & hard undercurrent. And within that covering a wide space (of sounds). In an interview in 2017 Kate set the markings for that space very self-assured:

    © Copyright 2017 – Ponyboy Magazine

    And that is why i wondered how it comes about that she is still playing rather low key shows and venues.

    In a better world, she would make it bigger, or?

    Toss that thought, enjoy the moment with Kate Clover:

    The only “downside” was that it was quite loud and not all the vocals came across fully audible as a consequence. For my mu-sick-al receptors the backing band volume could have been tuned down a wee bit (and the lights could have been a bit brighter).

    The show sure had some of these stereotypical American showmanship elements (and some of them i simply can do without) but by and large Kate kept it at a good level and made sure the audience had a good time.

    Kate Clover (Hafenklang, Hamburg, 05.10.2026)
    (c) gehkacken.de 2026

    As far as i got it this was a touring band, compiled specifically for the EU run this year and if i was not completely off it included the Bass player of The Manikins (the SE one rather then the AUS ones from 1976).

    No clue how many also played on her very recent 2nd LP, but here you go anyway:

    The icing actually was that not only Kate and the band dressed for the occasion but she also made sure only ever high quality custom Tortex plectrums where used in … red and white.

    Just think of this one with a little bend on top and i’d like to think she gave me a red heart. I am melting…

    Illustrates the quality standard: Tortex “never break” plectrum…

    Kate Clover, a great musician, a great performer and the best word to describe her is simply enchanting. Period.

    I do hope that this month long run through Europe with daily shows is boosting her to the point that her next return over here gets her bigger stages, more listeners (than the max 60ish folks attending) and in return even more energy back to her.

    Perfect Monday with two convincing acts from different angles and with different sound. There ain’t nuthin’ better for a Monday evening.

  • … swan songs for mOi!n It’s Hamburg!

    … swan songs for mOi!n It’s Hamburg!

    At the end it all fell apart, somewhat. It started with an early announcement, early bird tickets and the outlook to see something know, a surprise and i guess a mainstay.

    All nicely spread over Friday and Saturday, with plenty of side enjoyment.

    But it was followed with a long silence with respect to who would be playing and a plea for help, as also the Monkeys suffered from post- Covid support re-claim by the City of Hamburg, the definitely changed night life pattern as such and the cost rises all around.

    To allow the Monkeys to get rid of open bills, loans and get some needed renovation done (it is now around for 11 years, btw) please consider dropping some funds.

    Throw it all into a can, give it a good stir and you end up with tickets for the two days being refunded and a Friday only replacement show being setup with 4 bands (more from near then from far, but still with the outlook of surprises).

    I was happy to part with 20€ at the door but looking around it was not too many others. Some local regulars where at a birthday bash and i would guess some out-of-towners simply dropped the trip in total.

    The Law from Hamburg kicked off and you can guess exactly once what kind of style that would be:

    The Law merch … sole item!

    They are currently traded as Hamburgs hottest invention, playing low key sets left, right and center and feature well known faces: A Trashing Pumpgun on Drums, a Yard Bomb on Bass and a Razor on Guitar. A very surprise mix and the musical outcome is even more a surprise!

    The Law (Monkeys, Hamburg, 02.10.2026)
    (c) gehkacken.de 2026

    All of them come from a very different mu-sick-al backdrop but unite here to perfect raw, sturdy, up-tempo where needed and to-the-bone street rock. Throw in some 70s, throw in some harder core.

    Here is one beauty (of all the originals they have perfected by now):

    They already have a signature song (“The Law”), a real hit (“Hooligan Girl”, performed with Anja (Östro 430) taking over the female vocals) and boy, they got the lot dancing!

    I now understand why there was such buzz on them! They also announced that they jump into an empty slot on Saturday in Elmshorn together with Küken and another band but that one i had to let go.

    The Law – Setlist (Monkeys, Hamburg, 02.10.2026 (c) gehkacken.de)

    I am pretty sure i’ll see them soon again and i am looking forward to it. In December they will also grace a bigger stage, the will support the Harbour Rebels on their record release show at the Knust (together with the fantastic CRIM from Tarragona).

    Next Urban Elite from København, who surprisingly have never played Hamburg, let alone Germany, before. I do savor their first LP (came out in 2024) as it carries a real hit.

    And checking the setlist i was happy to see it towards the end of the set.

    They took the baton from The Law almost literately: hard, stripped down and rarely speeding. As much as The Law two people singing, giving slightly different voices and intonation (which always is a bonus).

    Urban Elite (Monkeys, Hamburg, 02.10.2026)
    (c) gehkacken.de 2026

    To much surprise for the danske mænd the dancing in front of the stage continued to be non-stop, something they had not had before.

    They did not really got a chance for a proper soundcheck, as they ran into a proper German Stau on the motorway from CPH to HAM.

    And yes, towards the end they also played my loveliest song, here is Cold Death:

    … and it came for free with a too hard hitting drummer who did send his sticks flying. Nevermind, still a beauty of a song and a great sing-a-long:

    A cold void, freezing hell
    Immediate death, exploding shell
    Shots ring out, cracks like ice
    Bullets scream, death device

    In the arctic cold, insanity’s near
    In the arctic cold, filled with fear
    In the arctic cold, death smell
    In the arctic cold, war is hell

    Death in canisters, grenades hurled
    Blood runs free, fills the world
    Ripped to shreds, icy nightmares
    Dying alone, no one cares

    Bang!

    Their 2nd LP is in the making, here is a first snippet:

    Just perfect and great to finally catch them. Looking forward to more and hopefully a return to Hamburg soonest.

    As mate noted to me at this point in the proceedings “I think i have seen the headliner (notch to The Law) and the main support (notch to Urban Elite) now, what comes next looks less exiting“. Others had already jumped the bandwagon, leaving to see The Prize (great Australian Power-Pop) down at the Komet.

    And that made me realize that the Monkeys was rather empty than packed, though those attending largely had the party mode enabled.

    I still looked forward to at least One Voice, a Dutch/German band that ventures more into a chorus and sing-a-long driven street rock. On record more-or-less not my thingy but live always enjoyable to listen to.

    One Voice (Monkeys, Hamburg, 02.10.2026)
    (c) gehkacken.de 2026

    Their main asset is the Guitar, as it is somewhat genre bending in sound. Whilst Drums and Bass lay an uptempo rhythm (and the Bass player sings and smiles to it) it is the guitar sound that brings the icing on top.

    I enjoyed it, not only because it had melody and sing-a-long chorus but also because it did set a contrast for the first two bands. And these types on contrast make an evening with more than one band always enjoyable. They finished to loads of cheers and applause and the sweaty lot resorted to the bar, for just another one.

    Johnny Wolga had the tough job to finish the evening off, some already had left, some where exhausted and i got to admit that i just can not find myself in their music.

    Nevertheless i had to give them a chance to persuade me, as only ever live counts.

    Johnny Wolga (Monkeys, Hamburg, 02.10.2026)
    (c) gehkacken.de 2026

    Unfortunately, they did not. And as i found a near perfect public transport connection home i aborted it, it was anyway only one mate left (who also left early). Sorry, but if the sound of a band just does not work for me, it does not.

    So it ended somewhat sad for me and it does end sad for mOi!n it’s Hamburg after all these years. Sam already announced that he is not gonna continue the series and i guess he has other fish to fry anyway.

    For me still a worthwhile evening out, as i saw a surprise (The Law) and something i was eager to catch (Urban Elite). And anyway it was a more then pleasant and friendly evening, with the audience – albeit small – was in a good mood.

    And that counts!

  • Bücher, schnell gelesen: 1.863

    Bücher, schnell gelesen: 1.863

    Leye Adenle – Zügel der Macht (InterKontinental, 2025)

    Gelesen: 22. – 29.09.2026 (netto 349 Seiten)

    Aus dem Englischen von Yasemin Dinçer.

    Perfekt, endlich mal wieder was aus Afrika. Zumindest eine kleine Krimi-Serie (3 Bände, dieser ist der erste), die in Lagos, Nigeria, spielt.

    Am Anfang ist es die Geschichte von Guy Collins, einem britischen Journalisten, der nach Lagos entsandt wird um über die bevorstehenden Wahlen zu berichten. Seine Ex-Freundin und Kollegen, die die Stadt bereits besucht hatten, hatten ihm ein lebhaftes Lagos versprochen, in dem er die Zeit seines Lebens verbringen würde.

    In Echt sieht das ganze ganz schön viel mieser aus: Nach seinem ersten Barbesuch, garniert mit einer verstümmelte Leiche, folgt eine Begegnung mit der ehr korrupten nigerianischen Polizei sowie ein Abenteuer mit Amaka, die eine NGO organisiert, die sich um die Sicherheit von Prostituierten kümmert.

    Und damit gleitet die Story mehr und mehr auf Amaka über, die quasi auf einem permanentem Rachefeldzug ist. Und Lagos als ein Ort, der von Verbrechen und illegalen Machenschaften der dortigen Führungselite geprägt ist. Politik, Geschäftsleute, Polizei – you name it.

    Die Leiche, wegen der Guy in Haft (und dann auch wieder nicht in Haft) gelandet ist, sorgt in den Kreisen der Elite von Lagos für große Unruhe. Auf Polizeiinspektor Ibrahim (der Guy “verhaftet” hat) wird Druck ausgeübt, den Fall zu lösen und die Wohlhabenden vor dem drohenden Chaos zu schützen.

    Offensichtlich steht vieles steht auf dem Spiel, doch niemand weiß so recht, was hinter den Kulissen vor sich geht. Irgendwie scheint ein “Malik” die Fäden zu ziehen, vor dem hat auch Amaka Angst. Werden Frauen wegen Hexerei oder für den illegalen Organhandel ermordet?

    Ziemlich spannender Einstieg, mit viel realer Brutalität und Gewalt wird ein sehr reales Bild von Lagos und den Herrschenden aufgezogen. Die Spannung hält auch hoch, das Leye Adenle Kapitel für Kapitel jeweils einen Einstieg und eine Ende setzt, egal wie kurz das Kapitel ist.

    Irgendwie schräg ist aber, das die Story konsequent in der Ich-Perspektive von Guy läuft. Im Grunde ist es ein „Amaka-Thriller“ und da hätte ich erwartet, dass – falls die Ich-Perspektive überhaupt zum Einsatz kommt – Leye sie für Amaka verwenden würde.

    Da ich aber schon tief im 2ten Band bin, kann ich verstehen warum das erste Buch in dieser Perspektive zuende gebracht wurde.

    Cool, spannend, real. Das Kopfkino zündet. Jetzt kommt Band 2 und dann Band 3.

    Soundtrack dazu: Accidente – Las victorias más bellas, was sonst?

    PS: Das Buch ist im Original nach diesem Song benannt…

    PPS: Und Leye über Prostitution in Lagos